Akiko Surai by Dorian Maldonado

Akiko is the editor and associate curator at the Hill Street Country Club, they joined the team in 2022 after visiting as a community partner and guest for a few years. She contributes writing and research to connect our artists, shows, and programming to local history, current events, and legacies of making to foster deep and resonant conversations. Akiko graduated with a degree in Studio Arts from San Diego State University in 2011, continued study at the School of the Museum of Fine Arts Boston, and holds a specialized certificate in museum studies and gallery administration from San Diego Mesa College. 

“I grew up in east San Diego county, where opportunities to connect to the arts were limited. After working a few years in more traditional museums, I became frustrated with the disconnect between artists, art history, and our lives today. I’m excited to be part of a space that opens those conversations and highlights how art and creativity resonate through the whole world.”

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Addy Lyon by Dorian Maldonado

Addy is our newest team member & our first ever trainee - she is assisting with Administrative planning & social media! Addy is graduating from CSUSM with her BA in Art, Media and Design with a minor in Psychology in May of 2021. She’s very interested in the connection between the planet’s natural environments and our impact as humans transcribing this relationship through creative expression.

“𝘉𝘦𝘪𝘯𝘨 𝘳𝘢𝘪𝘴𝘦𝘥 𝘰𝘯 𝘵𝘩𝘦 𝘌𝘢𝘴𝘵 𝘊𝘰𝘢𝘴𝘵, 𝘪𝘵 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘢 𝘸𝘰𝘯𝘥𝘦𝘳𝘧𝘶𝘭 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘵𝘰 𝘧𝘪𝘯𝘥 𝘢 𝘴𝘦𝘯𝘴𝘦 𝘰𝘧 𝘤𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘺 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘛𝘩𝘦 𝘏𝘪𝘭𝘭 𝘚𝘵𝘳𝘦𝘦𝘵 𝘊𝘰𝘶𝘯𝘵𝘳𝘺 𝘊𝘭𝘶𝘣, 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘢𝘣𝘪𝘭𝘪𝘵𝘺 𝘵𝘰 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘰𝘶𝘴𝘭𝘺 𝘣𝘶𝘪𝘭𝘥 𝘯𝘦𝘸 𝘧𝘳𝘪𝘦𝘯𝘥𝘴𝘩𝘪𝘱𝘴 𝘸𝘪𝘵𝘩 𝘭𝘪𝘬𝘦 𝘮𝘪𝘯𝘥𝘦𝘥 𝘪𝘯𝘥𝘪𝘷𝘪𝘥𝘶𝘢𝘭𝘴.” -𝘼𝙙𝙙𝙮

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TARA CENTYBEAR by Margaret Hernandez

Tara Centybear, a San Diego native, attended the School of the Art Institute of Chicago where she got her BFA, and Goldsmiths College, University London where she attained her MFA, graduating with Distinction.  In addition to her work as a contemporary artist Centybear has worked as a fine arts curator throughout San Diego for the past decade.  Currently she holds the position of Collections Manager/Curator at the San Diego History Center and is an adjunct teacher in the art department at MiraCosta College. 

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SHIRIN TOWFIQ by Margaret Hernandez

JULIA HILL | HYPNAGOGIA by Margaret Hernandez


What inspires you?

I find myself having constant inspiration from several different aspects of life. Nature, space and the universe, the mind and how we perceive things, energies that are inside all human beings and how we are connected through this. Also several creative outlet like film, music, paintings, installation and sculpture. In down to random discoveries like going to a thrift shop and seeing the artwork sold there or seeing a child create something purely out of their imagination. 

What inspirited this piece/idea?

The show is heavily inspired by how the mind perceives different stages of sleep, how the subconscious controls every facet of our lives and how you can start to find answers to things in your life by going through your subconscious in certain stages of sleep. 

Is there an element of art you enjoy working with most? Why?

Lately I’ve been working with this idea of allowing my subconscious to create the images instead of going about creating artwork in a very structured way. I make a mark on paper or canvas and allow myself to sit with the piece until the piece itself tells me what to do next. I’m finding myself constantly thrilled to see what images arise out of it. Whether abstract or figurative I’m constantly maintaining a level of interest and intrigue and I think it’s the happiest I’ve been while making an image. It’s unstructured and a really put way of creating an image. 

Is there an artwork you are most proud of? Why? 

I really enjoy my sculpture, installation and a couple of my abstract ratings. i feel like these really capture what it is to create work from the subconscious. I’m really invested in these works and its been really fun creating them. 

What are most of your dreams about?

My dreams vary. A lot of them were nightmares and night terrors which actually propelled this subject matter in the beginning. I was curious as to why I was having so many of these nights terrors and so I started to create images that were based on them; maybe using it as a therapeutic outlet for these dreams. I’ve been really trying to hone down that act of lucid dreaming lately and those dream can be anything from flying and test the limits of music dream to trying to talk to people and connect with them in the dream world. 

Do any of your artwork reflect your fears and how does this fear present itself in your dreams?

I think it does. I don’t know if I’ve really tapped into what these nightmares reflect just yet. Maybe I haven’t come to terms with it, but I would say mostly fear of loss, companionship and death. 

What’s your next project?

I have a few I would like to explore. I’m really interested in expanding this subconscious painting method I’ve been working with. I also want to create an apparel line that is basically a non profit where I donate the majority of profits to a charity or foundation that helps the environment, women’s rights etc. 

Does every person, place and thing in your dream represents you, the dreamer, communal and universal connection? How do you relate?

I think dream always have a connection to me the dream in some way. Some are more prevalent as to why they are connected to this world of dreaming and i think there is something interesting about becoming connected through this subconscious world. I think we take i so much as human beings, constantly inundated with information that during sleep is a time for your brain to process this information and distingush the sense from nonsense in a way. It’s like a filtering process and I think it helps to see and understand things that you may not have really understood normally. 

What are you listening while painting?

I’ve really been into podcasts lately so I’ve been listening to a lot of Artist Decoded, StarTalk, My Favorite Murder, Astonishing Legends and the Paranormal Podcast. 

Do you ever catch yourself overthinking your artwork?

Constantly. That’s actually what propelled me to start this subconscious art making idea. I’m so weird to make images a certain way because of my school training that I started to feel like it was too structured and too formulaic. Now that I’m stating to create images in this subconscious way I’m starting to fall in love with my pieces again.